Rachel Chapman

Rachel gained a Bachelor of Music Hons Degree at Manchester University. She undertook further training with English National Opera on "The Knack" programme and currently studies with Arwel Treharne Morgan.  

Rachel is an experienced oratorio soloist.  She has performed much of the standard repertoire and recent engagements include Bach's St Matthew's Passion, Britten's War Requiem, Brahms' Requiem, Handel's Messiah, Haydn's Creation and The Seasons, Mendelssohn's Elijah, Mozart's Mass in C Minor and Poulenc's Gloria. She has performed in such leading British venues as:  Christchurch Cathedral, Dublin; Coventry Cathedral; Ripon Cathedral; Southwark Cathedral; Tewksbury Abbey and York Minster.  In London: the Barbican, the Cadogan Hall, London Coliseum, Royal Albert Hall, the Royal Festival and Queen Elizabeth Halls, St John Smith's Square and St Martin-in-the-Fields. 

Rachel's operatic experience is extensive and she has worked for such UK companies as Almeida Opera; Grange Park Opera; Carl Rosa Opera; Dartington Festival Opera; Opera by Definition; Opera North; Pavilion Opera; Riverside Opera and Surrey Opera.  Her roles include: Adina (L'Elisir d'amore), Angelica (Handel's Orlando), Bianca (La Rondine), Donna Anna (Don Giovanni), Mabel (The Pirates of Penzance), Micaela (Carmen), Susan (Berkeley - The Dinner Engagement), Susanna (Le Nozze di Figaro), Vixen Sharp-Ears (The Cunning Little Vixen) and Zerlina (Don Giovanni).  She works regularly as a member of the Extra Chorus at the Royal Opera House, Covent Garden.  Her most recent project has been Purcell's Dido and Aeneas and Handel's Acis and Galatea. In the realm of contemporary opera Rachel has performed the world premieres of Langer's "The Girl of Sand" (Almeida Opera) and of Maazel's "1984" (Royal Opera House).  

As a consort singer, Rachel works regularly with some of the UK's leading groups, including the BBC Singers, the Choir of the Enlightenment, the English Concert Choir, the Gabrieli Consort and London Voices.  She has made numerous recordings, particularly with Opera Rara, as part of the Geoffrey Mitchell Choir. She is also a member of St Bride's Choir, Fleet Street. Her singing has taken her as far a-field as Australia, New Zealand and Japan, and she regularly works in Europe.

Rachel Chapman

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  • “The clear voice of soprano Rachel Chapman rang above the choir.”
    Gloucestershire Echo - Britten War Requiem
  • “The soprano was a soloist of surprising power and clarity for someone of such slight build.”
    Bedfordshire Chronicle - Haydn Creation
  • “Soprano soloist Rachel Chapman truly matched the intensity of the next movement with heart-searing phrasing and soaring intensity.”
    Richmond and Twickenham Times - Brahms Requiem
  • “Rachel Chapman sang of shepherds in a bright and pure voice that was a delight.”
    Richmond and Twickenham Times - Handel Messiah

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